• The Magic Number

    • McNamara, John    04/01/03

    Tom Girst, Editor in Chief: Have been greatly enjoying latest issue of Tout Fait, after noting not once, but twice you brought attention to Duchamp's 1964 Readymades edition. In the Barns interview it was surrounded by the usual dismay this edition brings, fair enough. Then, in the corespondence with Hirschhorn you appeared to have taken a decided

  • Response to “The Magic Number”

    • Girst, Thomas    04/01/03

    Dear John, Thank you for the thorough reading of my pieces (yup, and Hirschhorn is certainly an intelligent enough artist not to have fallen into my little trap!). There is, of course, a very detailed article on the 8/9 bachelors in the pages of Tout-Fait: The Bachelors: Pawns in Duchamp’s Great Game In terms of the 1964 edition, your thoughts

  • Desnuda-vestido, vestida-desnudo: Les amoureuses (Elena & Rrrose), con Duchamp al fondo

    • Ramírez, Juan Antonio    04/01/03

    Marcel Duchamp está frente al tablero de ajedrez, muy concentrado en una partida contra (o con) una joven completamente desvestida, sentada en el lado opuesto. La escena captada en esta fotografía se desarrolla en una sala del Pasadena Art Museum (California) el 18 octubre de 1963, con ocasión de la primera exposición retrospectiva que se le de

  • Minerva, Arachne and Marcel

    • Brown, Jonathan    04/01/03

    Historians of art like to believe that they can solve the riddles of interpretation posed by masterpieces of old painting. Firm in the conviction that a great painting is endowed by its creator with a unique, unambiguous message, we struggle to recover that meaning through the use of textual and visual evidence. And, up to a point, the historical m

  • RR, Art, Ah!

    • Merrington, Lyn    01/01/02

    Duchamp's 'R's The prevalence of excessive "R"s in Duchamp's œuvre may seem to hold a clue for those who care, or "ose"----dare, to look. After all a Frenchman struggling with the English language might pronounce those "Rs" as "arse" a term which refers in colloquial English speech to a measure of daring. Duchamp so loved to use colloquial speech

  • The Up-Side-Down Evidence for the Non-Determination of the Morphology of the Draft Pistons

    • Harvey, Glenn    01/01/02

    Dear Tout-Fait, click to enlarge Figure 1 Marcel Duchamp,signed version of Draft Pistons, 1914 Figure 2 Marcel Duchamp, unsigned version of Draft Pistons, 1914 With regard to the two extant Draft Piston photographs which are supposed to determine the shapes of the three openings in the Milky Way, it seems to me that Ducha

  • Transfiguring Triviality

    • Hughey, Kirk    01/01/02

    In his response to Jean Clair's article, Arthur Danto makes a reference to Hegel by way of introduction; "It is true that in Hegel's view, art is a superceded moment of Absolute Spirit, and it is in this sense that Hegel famously pronounces the end of art. Its mission, in Hegel's system, is to be taken over by metaphysics." It is not entirely obvio

  • Just a Thought: Duchamp and Spencer

    • Phillips, Timothy A.    01/01/02

    Dear Tout-Fait, Duchamp, in a communication to Katherine Dreier in Paris, once sent a subtly altered photograph of a seemingly typical bar scene. On examination, spatial relationships were "out of whack" when referred to any rational floor plan. This may anticipate the work of the mathematician Donald Spencer (1912-2001) on systematic distortion

  • Windows in My Village

    • Hausman, Jim    01/01/02

    click to enlarge Figure 1 Figure 2 Marcel Duchamp, Fresh Widow, 1920 (back) Marcel Duchamp, Fresh Widow, 1920 (front) To Rhonda Roland Shearer - Contrary to your comment on "Fresh Widow," French windows *do* open in -- that way the shutters can open out! Jim Hausman resident of Chavenay, France

  • Response to “Windows in My Village”

    • Shearer, Rhonda Roland    01/01/02

    Dear Jim Hausman, Please send us photographs of your local French windows. We're interested. Below, you'll find two illustrations (Fig. 3 and Fig. 4, pp. 1024, 1025) from De Chiara, Joseph, Julius Panero and Martin Zelnik (eds.) Time Saver Standards for Interior Design and Space Saving (New York, McGraw-Hill, 1991). These refernces are among thos