• El Límite Soñado: Arquitecturas De Vidrio No Construidas, Reflexiones Desde El Siglo XXI: Las Vanguardias Artísticas [Spanish]

    • Nadal, Daniel Huertas    04/01/03

    Valores semánticos del vidrio. 1.1 Sobre Duchamp: La circularidad de la mirada. 1.2 El rden de la materia: A propósito de Robert Smithson. 1.3 La rtrofia del límite en Dan Graham. Valores semánticos del vidrio La aparición del vidrio en el panorama de la producción arquitectónica se sumó a la introducción en los procesos constructivos

  • A Note on Duchamp/Saussure and the Mysterious Sign of Accordance

    • Harvey, Glenn    01/01/02

    The Large Glass, on the evidence of Marcel Duchamp's own notes from The Green Box, is the result of an attempt at a kind of pataphysical proof.Duchamp is looking to demonstrate that it is possible to isolate what he calls in his notes--"the sign of accordance"(1)(quite specifically). This is ultimately Duchamp's aim and the test of whether his scie

  • A Note on Linda Dalrymple Henderson’s “Duchamp in Context” (Niceron, Leonardo, Poincaré & Marcel Duchamp)

    • Phillips, Timothy A.    01/01/02

    Click to enlarge Figure 1 Linda Dalrymple Henderson, Duchamp in Context: Science and Technology in the Large Glass and Related Works, (Princeton: Princeton University Press, 1998) Figure 2 Portrait of Jean Francois Niceron (1613-46), 1646 Figure 3 Marcel Duchamp, Co

  • Jarry = Duchamp

    • Herdegen, Raymond J.    01/01/02

    click to enlarge Figure 1. Anonymous Woodcut of Jesus' feet 1. Jarry "La Passion: Les Clous du Seigneur". 2. Duchamp "Sculpture-morte" click to enlarge Figure 2. Marcel Duchamp Torture-Morte 1959 Painted plaster and flies, on paper mounted on wood, 11 5/8 x 5 5/16 x2 3/16 inches (29.5 x 13.4 x10.3 cm) Illustratio

  • Duchamp et Jarry ou l’inverse [French]

    • van der Velden, Bastiaan    01/01/02

    Vous ne trouvez ci-après que les lieus où ont été trouvées les citations.Il est à vous de construire les relations--clairement objectives - entre les citations, comme pour le jeu des sept familles. CITATION I 'Pourquoi chacun affirme-t-il que la forme d'une montre est ronde, ce qui est manifestement faux, puisqu'on lui voit de profil un

  • Psychological Analysis of Duchamp’s Handwriting

    • Marsell, Shirley    12/01/00

    click to enlarge Marcel Duchamp, Note from the Green Box, 1934 © 2000 Succession Marcel Duchamp, ARS, N.Y./ADAGP, Paris Marcel Duchamp's handwriting shows that he is a highly intelligent, creative and expressive individual (1) . We see this in the overall appearance of his writing. It is legible and well placed on the paper. W