• Potty Talk: Marcel Duchamp, Kenneth Burke, and Pure Persuasion

    • Yang, Shin-Yi    01/01/02

      Man is the symbol-using (symbol-making, symbol-misusing) animal inventor of the negative (or moralized by the negative) separated from his natural condition by instruments of his own making goaded by the spirit of hierarchy (or moved by the sense of order) and rotten with perfection (Burke, On Symbols, 70). This definition is central

  • In Boggs We Trust

    • Velthuis, Olav    01/01/02

    An earlier, abridged version of this article was published in: Dagblad Trouw (Dutch National Newspaper), Saturday February 24, 2001 click to enlarge Figure 1 J.S.G. Boggs When Marcel Duchamp was asked why he stopped painting at an early age, his answer was: "I don't want to copy myself, like all the others. Do you think they enjoy

  • R. rO. S. E. Sel. A. Vy [Italian]

    • Yang, Shin-Yi    01/01/02

    1. L'odissea dei Rammendi 1a. Tre Rammendi Tipo click to enlarge Figure 1 Marcel Duchamp, Three Standard Stoppages, 1913-14 E' già stato ampiamente discusso dagli studiosi il fatto che la procedura operativa descritta da Duchamp per la realizzazione deiTre Rammendi Tipo (1913-14) (Fig. 1) non sembra essere attendibile. L'evidenza sperimentale

  • Duchamp in Sweden 1933-1970: A Critical Review

    • Eriksson, Lief    12/01/00

    This is the first chronological presentation of Marcel Duchamp´s appearance in the context of Swedish art. This review is based on material related to Marcel Duchamp published in Sweden from 1933-1970. My sources are art magazines, literature magazines, essays, monographs, catalogues, and similar printed material in my archive: The Swedish Archive

  • The Art of Looking Back and the Reward of More or Less Being Seen

    • Alfaro, Juan    12/01/00

    The danger is in pleasing an immediate public: the immediate public that comes around you and takes you in and accepts you and gives you success and everything. Instead of that, you should wait for fifty years or a hundred years for your true public. That is the only public that interests me. Marcel Duchamp It is the REGARDEURS who make the pictur

  • Pata or Quantum: Duchamp and the End of Determinist Physics

    • Yang, Shin-Yi    12/01/00

    The early 20th Century saw a breakdown, a deconstruction if you will, of the classical Enlightenment assertion that the world is fundamentally knowable to us. In the art and philosophy of the Enlightenment era, the rational capacity of the human mind to analyze and comprehend itself and the world was trusted implicitly. In science, the classical Ne

  • Marcel Duchamp –Étant donnés: Det Dekonstruerede Maleri (The Deconstructed Painting) [Danish]

    • Høy, Pia    12/01/00

    Picasso (1881-1973) og Duchamp (1887-1968) var stort set samtidige. De levede begge længe og havde begge en stærk tilknytning til Paris og den europæiske modernisme - og de kaldes begge for "det 20. århundredes kunstner". Alligevel udviklede de sig til at blive næsten kunstneriske modpoler. Duchamps navn er velkendt og højt estimeret indenfor

  • “Macaroni repaired is ready for Thursday….” Marcel Duchamp as Conservator

    • Pohlad, Mark B.    12/01/00

    "...while not as world-shaking as war, [Duchamp's art] certainly has outlived the latter. The survival of inanimate objects, of works of art through great upheavals, is one of my consolations. My justification, if need be." (Man Ray, Self-Portrait,1963) Marcel Duchamp's reputation involves a profound insouciance, and an apparent disregard for his