Sound and Sculpture

posted: 05-11-10
Celeste Boursier-Mougenot's zebra finches
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The emergence of sound art as a critical category has sparked new interest in the "imaginary sound sculptures" of Marcel Duchamp and his disciples like John Cage. Acoustic artist Susan Philipsz is even up for the Turner Prize. But how do these abstract soundscapes differ from the conventional category of music, and how do they converge with the pure Duchampian concept?


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