51. Wrong spelling in the original manuscript. 52. When he started to paint, Duchamp mixed the colors on a glass palette and liked the visual effect of the colors when he turned the palette and looked at it from the other side. It was thanks to this method that he could overcome the traditional painting on canvas and start painting on glass. This episode is reported in Cabanne, ibid., p.56. 53. Duchamp and Breton met at the Café Certa during Fall 1919, see. F.M.Naumann, Marcel Duchamp. The Art of Making Art in the Age of Mechanical Reproduction, ibid. p.96. 54. Those notes refer to the different objects to be used in View for the photomontage in which a chair, a chessboard, and a horse from the chessmen are integrated with the walls in Duchamp´s studio. |
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