Toutfait Marcel Duchamp Online journal https://validator.w3.org/feed/docs/rss2.html Announcing the “International Online Bibliography of Dada” Duchamp Bottles Belle Greene: Just Desserts For His Canning DD / DIAGRAMMAR / VERSION 1.1 / 2003 Wayne Andersen, Marcel Duchamp: The Failed Messiah Complexity Art R. rO. S. E. Sel. A. Vy Duchamp Past and Present Marcel Duchamp and Beyond Duchamp and Dreier BELLE da COSTA GREENE A Biographical Sketch of a Friend & Acquaintance of Aleister Crowley Response to “Femalic Molds” Duchamp as Trickster Duchamp’s Horoscope A Pun Among Friends Voisins du Zero:<br>Hermaphroditism and Velocity Duchamp’s Gendered Plumbing: A Family Business? Zur Marcel Duchamp-Rezeption in Mittel-und Osteuropa im Kontext des Netzwerks der Mail Art: Ein Interview mit Serge Segay Why Duchamp?: The Influence of Marcel Duchamp on Contemporary Architectural Theory and Practice An exit <br>Marcel Duchamp and Jules Laforgue On “The Creative Act” Marcel Duchamp in 1962 Die Bedeutung des Ready-mades für die Kunst der Gegenwart Marcel Duchamp Chose Emmentaler Cheese (1942) Through the <I>Large Glass</I> (1994) An Impertinent Pilgrimage: A “Meditation” on the Creation of <I>Praying for Irreverence</I> <I>Bicycles With Elephant Memories Stolen From Our Oasis When We Were The Most Thirsty</I> R. rO. S. E. Sel. A. Vy Duchamp’s Window Display for André Breton’s <I>Le Surréalisme et la Peinture</I> (1945) Duchamp & Androgyny: The Concept and its Context James Joyce and Marcel Duchamp Glasswanderers From <I>Blues</I> to Haikus: An interview with Charles Henri Ford The Bride Achieves Ascendance Moments Before Orgasm, Even Duchamp at The Turn of the Centuries Femalic Molds Call for Papers / Submissions Contact Us Unmaking the Museum: Marcel Duchamp’s Readymades in Context Transformation and Tradition: Interview with Sanford Biggers The Tzanck Check L’inventeur du temps gratuit Jarry, Joyce, Duchamp and Cage Voisins du Zero: Hermafroditismo y Velocidad Glasswanderers “From the Splash to the Flash, with the best wishes of Le Soigneur de Gravité,” <br>The <i>Large Glass</i>: A Guided Tour What if Heidegger used Fountain instead of van Gogh’s Shoes to launch the Origin of a Work of Art?’ What Makes the <i>Bicycle Wheel</i> a Readymade? The Art of Looking Back and the Reward of More or Less Being Seen Art Resources Home