Toutfait Marcel Duchamp Online journal https://validator.w3.org/feed/docs/rss2.html Call for Papers / Submissions Contact Us Unmaking the Museum: Marcel Duchamp’s Readymades in Context The Tzanck Check Voisins du Zero: Hermafroditismo y Velocidad Voisins du Zero:<br>Hermaphroditism and Velocity Glasswanderers What if Heidegger used Fountain instead of van Gogh’s Shoes to launch the Origin of a Work of Art?’ L’inventeur du temps gratuit “From the Splash to the Flash, with the best wishes of Le Soigneur de Gravité,” <br>The <i>Large Glass</i>: A Guided Tour Why Duchamp?: The Influence of Marcel Duchamp on Contemporary Architectural Theory and Practice Art Resources DADA Glasswanderers What Makes the <i>Bicycle Wheel</i> a Readymade? Recording of Marcel Duchamp’s Armory Show Lecture, 1963 Duchamp and Twentieth Century Art Duchamp’s Window Display for André Breton’s <I>Le Surréalisme et la Peinture</I> (1945) Nude Descending Again Surrealism and Surrealists “Macaroni repaired is ready for Thursday….” Marcel Duchamp as Conservator Case Open and/or Unsolved: <i>Étant donnés</i>, the Black Dahlia Murder, and Marcel Duchamp’s Life of Crime Wittgenstein Plays Chess with Duchamp or How Not to Do Philosophy: Wittgenstein on Mistakes of Surface and Depth Duchamp Bottles Belle Greene: Just Desserts For His Canning Summary of Selections of Recommended Books by Tout-Fait’s Contributors “A very normal guy”: An Interview with Robert Barnes on Marcel Duchamp and Étant Donnés Complexity Art Miscellaneous Marcel Duchamp: Money Is No Object The Art of Defying the Art Market <I>Le Picadilly</I> by Erik Satie (1866-1925) ‘Paris Air’ or ‘Holy Ampule’? Alfred Jarry and <i>l’Accident</i> of Duchamp Afterthought: Ruminations on Duchamp and Walter Benjamin Becoming Duchamp Sending and Receiving The Unfindable Readymade Between Music and the Machine: Francis Picabia and the End of Abstraction Duchamp & Androgyny: The Concept and its Context Once More to this Staircase: Another Look at <I>Encore à cet Astre</I> Von Readymades und “Asstricks” Rrose Sélavy and the Erotic Gnosis Response to “What Makes the <i>Bicycle Wheel</i> a Readymade?” Response to “‘Infusion Ball’ or ‘Holy Ampule’?” Response to “Duchamp’s Veiled Intentions Regarding <i>Draft Pistons</i> Gauze” Photographic Masquerades: The Readymade Femininity of Greta Garbo and Marcel Duchamp ‘Infusion Ball’ or ‘Holy Ampule’? The Up-Side-Down Evidence for the Non-Determination of the Morphology of the <i>Draft Pistons</i> Transfiguring Triviality RR, Art, Ah! Home