
<rss version="2.0"><channel><title><![CDATA[http://www.toutfait.com]]></title><pubDate>Sat, 13 Mar 2010 09:04:05 GMT</pubDate><description><![CDATA[Exciting online journal ,updated reguraly]]></description><link>http://www.toutfait.com/online_journal_details.php</link><item><title> Marcel Duchamp - Spring, 1911 - Where it All Begins</title><pubDate>Mon, 28 Sep 2009 09:04:05 GMT</pubDate><description><![CDATA[Early in 1911, at the age of 24, Marcel Duchamp painted a relatively small painting (25 7/8 by 19 3/4 inches, oil on canvas) he called Young Man and Girl in Spring.]]></description><guid>47250 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=47250</link></item><item><title>Belle Haleine: Eau de Voilette  [Beautiful Breath: Veil Water],  1921</title><pubDate>Mon, 28 Sep 2009 09:04:05 GMT</pubDate><description><![CDATA[Belle Haleine: Eau de Voilette [Beautiful Breath: Veil Water] is the amusing title Marcel Duchamp gave to a work of art that he made—with the assistance of Man Ray—in the spring of 1921.]]></description><guid>47249 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=47249</link></item><item><title>A New Look: Marcel Duchamp, his twine, and the 1942 First Papers of Surrealism Exhibition</title><pubDate>Thu, 20 Mar 2008 09:04:05 GMT</pubDate><description><![CDATA[ ]]></description><guid>47245 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=47245</link></item><item><title>A Problem With No Solution</title><pubDate>Mon, 25 Feb 2008 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
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</title><pubDate>Thu, 20 Dec 2007 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
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</title><pubDate>Tue, 04 Dec 2007 09:04:05 GMT</pubDate><description><![CDATA[ 
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</title><pubDate>Fri, 16 Nov 2007 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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</title><pubDate>Mon, 12 Nov 2007 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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</title><pubDate>Thu, 08 Nov 2007 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 ]]></description><guid>46567 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=46567</link></item><item><title>Cinq petites choses &#224; propos de L.H.O.O.Q.


</title><pubDate>Thu, 08 Nov 2007 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 ]]></description><guid>46565 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=46565</link></item><item><title>Response to &#34;Femalic Molds&#34;


</title><pubDate>Wed, 10 Oct 2007 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
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</title><pubDate>Thu, 28 Jun 2007 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 ]]></description><guid>46236 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=46236</link></item><item><title>Identit&#224;' e dissoluzione, per un approccio erotico all'opera d'arte












</title><pubDate>Mon, 03 Oct 2005 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
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</title><pubDate>Fri, 06 May 2005 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
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</title><pubDate>Mon, 18 Apr 2005 09:04:05 GMT</pubDate><description><![CDATA[ ]]></description><guid>4412 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=4412</link></item><item><title>On Swift Nudes and Flying Friars

</title><pubDate>Wed, 06 Apr 2005 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 ]]></description><guid>4390 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=4390</link></item><item><title>A Tribute to Friends Who Left Us









</title><pubDate>Wed, 30 Mar 2005 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
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</title><pubDate>Wed, 30 Mar 2005 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
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</title><pubDate>Wed, 30 Mar 2005 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
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&#201;tant donn&#233;s, the Black Dahlia Murder, and Marcel Duchamp's Life of Crime






</title><pubDate>Wed, 30 Mar 2005 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 ]]></description><guid>4310 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=4310</link></item><item><title>By the way of Herne Bay (a biographical note)

</title><pubDate>Wed, 30 Mar 2005 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 ]]></description><guid>4307 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=4307</link></item><item><title>Color-Coded Chromatic Chess












</title><pubDate>Wed, 30 Mar 2005 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
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</title><pubDate>Fri, 04 Feb 2005 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 ]]></description><guid>3768 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=3768</link></item><item><title>The Artist as a Social Critique



</title><pubDate>Fri, 04 Feb 2005 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 ]]></description><guid>3761 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=3761</link></item><item><title>Duchamp at the Pompidou by Video Tour</title><pubDate>Fri, 04 Feb 2005 09:04:05 GMT</pubDate><description><![CDATA[ ]]></description><guid>3759 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=3759</link></item><item><title>The Late Show Line Up: BBC UK Interview with Marcel Duchamp, June 5, 1968

</title><pubDate>Fri, 04 Feb 2005 09:04:05 GMT</pubDate><description><![CDATA[ ]]></description><guid>3705 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=3705</link></item><item><title>Unmaking the Museum: Marcel Duchamp's Readymades in Context
</title><pubDate>Fri, 28 Jan 2005 09:04:05 GMT</pubDate><description><![CDATA[ 
 ]]></description><guid>3633 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=3633</link></item><item><title>Duchamp&#39;s Gendered Plumbing: A Family Business?














</title><pubDate>Thu, 27 Jan 2005 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 ]]></description><guid>3600 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=3600</link></item><item><title>Summary of Selections of Recommended Books by Tout-Fait&#39;s Contributors































</title><pubDate>Tue, 04 Jan 2005 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 ]]></description><guid>2739 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=2739</link></item><item><title>Femalic Molds








</title><pubDate>Mon, 20 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 ]]></description><guid>2378 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=2378</link></item><item><title>Response to &#34;What Makes the Bicycle Wheel a Readymade?&#34; 



</title><pubDate>Wed, 15 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[Shearer&#39;s response to Yassine Ghalem&#39;s letter to the editor &#34;What Makes the Bicycle Wheel a Readymade?&#34;
 ]]></description><guid>2162 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=2162</link></item><item><title>Response to &#34;Duchamp&#39;s Veiled Intentions Regarding Draft Pistons Gauze&#34;



</title><pubDate>Wed, 15 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[Shearer&#39;s response to Glenn Harvey&#39;s letter, &#34;Duchamp&#39;s Veiled Intentions  Regarding  Draft Pistons Gauze&#34;]]></description><guid>2151 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=2151</link></item><item><title>Response to &#39;Duchamp and Dreier&#39;


</title><pubDate>Wed, 15 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[Anastasi replies to John Angeline&#39;s response to his article concerning Alfred Jarry and Marcel Duchamp]]></description><guid>2135 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=2135</link></item><item><title>Duchamp and Dreier






</title><pubDate>Wed, 15 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[John Angeline  responds to&#34;Alfred Jarry and l&#39;Accident of Duchamp&#34; by William Anastasi
 
 ]]></description><guid>2131 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=2131</link></item><item><title>Response to &#34;Windows in My Village&#34;



</title><pubDate>Wed, 15 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[Rhonda Roland Shearer replies to Jim Hausman&#39;s letter, &#34;Windows in My Village,&#34; pertaining to the Fresh Widow (1921)]]></description><guid>2119 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=2119</link></item><item><title>Response to &#34;The Magic Number&#34;







</title><pubDate>Wed, 15 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[Thomas Girst replies to John Mcnamara&#39;s letter to the editor &#34;The Magic Number&#34; 
 
 
 
 
 ]]></description><guid>2103 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=2103</link></item><item><title>Reply to Kline&#39;s response to &#34;Straight Forks and Pneumatic Tires: Historicizing Duchamp's Bicycle Wheel of (1913)&#34;




</title><pubDate>Wed, 15 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[On the same day, December 30th, 2002, John S. Allen replies to Douglas Kline's response:
 
 ]]></description><guid>2092 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=2092</link></item><item><title>Response to &#34;Straight Forks and Pneumatic Tires:Historicizing Duchamp's Bicycle Wheel of (1913)&#34;



</title><pubDate>Wed, 15 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[On December 30th, 2002, Douglas Kline replies to the 
following paragraph from John S. Allen's initial e-mail message:
 
 
 
 
 
 
 ]]></description><guid>2090 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=2090</link></item><item><title>Duchamp,  May 24, 2003 London: Study day at Tate Gallery

</title><pubDate>Wed, 15 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 ]]></description><guid>2087 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=2087</link></item><item><title>Duchamp, 10. Mai 2003Wien: Ausstellung und Symposium
</title><pubDate>Wed, 15 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 ]]></description><guid>2083 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=2083</link></item><item><title>Duchamp, May 10, 2003Vienna: Exhibition and Symposium

</title><pubDate>Wed, 15 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 ]]></description><guid>2080 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=2080</link></item><item><title>Glasswanderers














</title><pubDate>Mon, 13 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 ]]></description><guid>1926 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1926</link></item><item><title>Duchamp&#39;s Perspective:The Intersection of Art and Geometry




















</title><pubDate>Mon, 13 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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</title><pubDate>Fri, 10 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[typosophes sans fronti&#232;res
 ]]></description><guid>1878 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1878</link></item><item><title>Complexity Art













</title><pubDate>Fri, 10 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 ]]></description><guid>1873 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1873</link></item><item><title>Voisins du Zero:Hermafroditismo y Velocidad









</title><pubDate>Wed, 08 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[(a partir de la Obligaci&#243;n para la Ruleta de Monte Carlo de Marcel Duchamp, 1924.)




 
 
 
 
 
 
 
 
 
 
 ]]></description><guid>1853 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1853</link></item><item><title>Rrose S&#233;lavy e la gnosi erotica

</title><pubDate>Wed, 08 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 ]]></description><guid>1849 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1849</link></item><item><title>(Ab)Using Marcel Duchamp: The Concept of the Readymade 
in Post-War and Contemporary American Art 












</title><pubDate>Wed, 08 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 ]]></description><guid>1844 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1844</link></item><item><title>Die Frage der Schaufenster: Marcel Duchamps Arbeiten in Schaufenstern






</title><pubDate>Mon, 06 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 ]]></description><guid>1750 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1750</link></item><item><title>Rrose S&#233;lavy and the Erotic Gnosis



</title><pubDate>Mon, 06 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 ]]></description><guid>1746 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1746</link></item><item><title>Words and Worlds:Dada and the Destruction of Logos, Zurich 1916




</title><pubDate>Mon, 06 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 ]]></description><guid>1743 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1743</link></item><item><title>Voisins du Zero:Hermaphroditism and Velocity





</title><pubDate>Mon, 06 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[(an interpretation of Marcel Duchamp&#39;s Obligation pour la Roulette de Monte Carlo, 1924.)






 
 
 
 
 
 
 ]]></description><guid>1738 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1738</link></item><item><title>Fasten your Seatbelts as We Prepare for Our Nude Descending

















</title><pubDate>Fri, 03 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 ]]></description><guid>1723 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1723</link></item><item><title>Von Readymades und &#34;Asstricks&#34;
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 ]]></description><guid>1716 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1716</link></item><item><title>Duchamp Past and Present


</title><pubDate>Fri, 03 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 ]]></description><guid>1714 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1714</link></item><item><title>The State of Duchamp Studies in the New Millenium







</title><pubDate>Thu, 02 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 ]]></description><guid>1712 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1712</link></item><item><title>Variations on The Large Glass&#39;s Chocolate Grinder

</title><pubDate>Thu, 02 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 ]]></description><guid>1668 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1668</link></item><item><title>Moules fem&#226;lics










</title><pubDate>Wed, 01 Dec 2004 09:04:05 GMT</pubDate><description><![CDATA[Tir&#233; de Marcel Duchamp et la fin de l&#39;art by Jean Clair (Paris: Gallimard, 2000).





 
 
 
 
 
 
 
 
 
 
 
 ]]></description><guid>1602 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1602</link></item><item><title>James Joyce and Marcel Duchamp









</title><pubDate>Tue, 30 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 ]]></description><guid>1573 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1573</link></item><item><title>Precision Optics / Optical Illusions:Inconsistency,  Anemic Cinema, and the Rotoreliefs




</title><pubDate>Tue, 30 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 ]]></description><guid>1570 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1570</link></item><item><title>Intentions: Logical and SubversiveThe Art of Marcel Duchamp, Concept Visualization, and Immersive Experience






















</title><pubDate>Tue, 30 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 ]]></description><guid>1567 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1567</link></item><item><title>Wittgenstein Plays Chess with Duchamp or How Not to Do Philosophy:Wittgenstein on Mistakes of Surface and Depth







</title><pubDate>Tue, 30 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 ]]></description><guid>1564 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1564</link></item><item><title>Painting in Three Dimensions



</title><pubDate>Tue, 30 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 ]]></description><guid>1562 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1562</link></item><item><title>Lost Object-Found



</title><pubDate>Tue, 30 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 ]]></description><guid>1558 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1558</link></item><item><title>Marcel's Dream as told by Jacques Villon
</title><pubDate>Tue, 30 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ (The following passage is from the book The Painter Who Stopped. The narrator is a fictional painter, based on Duchamp's older brother, Jacques Villon.)

 ]]></description><guid>1556 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1556</link></item><item><title>Marcel Duchamp and the Transhuman

</title><pubDate>Tue, 30 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 ]]></description><guid>1553 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1553</link></item><item><title>Do it Yourself!Die Geburt der Co-Autorschaft aus dem Geiste Duchamps



</title><pubDate>Tue, 30 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 ]]></description><guid>1551 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1551</link></item><item><title>El L&#237;mite So&#241;ado: Arquitecturas De Vidrio No Construidas,Reflexiones Desde El Siglo XXI: Las Vanguardias Art&#237;sticas




</title><pubDate>Tue, 30 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 




 
 
 
 
 
 ]]></description><guid>1538 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1538</link></item><item><title>Duchamp the Gardener
</title><pubDate>Tue, 30 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ ]]></description><guid>1535 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1535</link></item><item><title>Observations on Duchamp's Color
</title><pubDate>Tue, 30 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ ]]></description><guid>1533 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1533</link></item><item><title>Mirror, Mirror:The Strange Case of the Salon de Fleurus


</title><pubDate>Tue, 30 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 ]]></description><guid>1531 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1531</link></item><item><title>The Suggestion of a Boundary: the Non-constructed Architecture of Glass






</title><pubDate>Tue, 30 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[A view of the artistic avant-garde, from the 21st Century 
 
 
 
 
 
 
 
 
 ]]></description><guid>1529 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1529</link></item><item><title>Wanted: Original Manuscript on Marcel Duchamp

</title><pubDate>Tue, 30 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 ]]></description><guid>1527 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1527</link></item><item><title>Zur Marcel Duchamp-Rezeption in Mittel-und Osteuropa im Kontext des Netzwerks der Mail Art: Ein Interview mit Serge Segay



</title><pubDate>Tue, 30 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 ]]></description><guid>1525 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1525</link></item><item><title>Dada is Dead, Beware of the Fire!An Interview with Huang Yong Ping



</title><pubDate>Tue, 30 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 ]]></description><guid>1523 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1523</link></item><item><title>Rotorelief Interactief
</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ ]]></description><guid>1512 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1512</link></item><item><title>Why Teeny&#39;s Hair?

</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 ]]></description><guid>1509 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1509</link></item><item><title>Flag of Ecstasy

</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 ]]></description><guid>1506 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1506</link></item><item><title>Marcel Duchamp: Money Is No Object The Art of Defying the Art Market



</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 ]]></description><guid>1501 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1501</link></item><item><title>Desnuda-vestido, vestida-desnudo:Les amoureuses (Elena &#38; Rrrose), con Duchamp al fondo




</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[Juan Antonio Ram&#237;rez responds to Thomas Girst&#39;s Elena del Rivero and Marcel Duchamp: Les Amoureuses
 
 ]]></description><guid>1500 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1500</link></item><item><title>The Magic Number








</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[A response to Thomas Girst&#39;s interviews
with Robert Barnes and  Thomas Hirschorn 
 
 
 ]]></description><guid>1498 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1498</link></item><item><title>Postcard and Duchamp
</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ ]]></description><guid>1496 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1496</link></item><item><title>Minerva, Arachne and Marcel





</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[A response to Thomas Girst&#39;s Elena del Rivero and Marcel Duchamp: Les Amoureuses
 
 ]]></description><guid>1493 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1493</link></item><item><title>Bicycle Wheel Stool

</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 ]]></description><guid>1487 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1487</link></item><item><title>Marcel Duchamp and Beyond



</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 ]]></description><guid>1472 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1472</link></item><item><title>Recording of Marcel Duchamp&#39;s Armory Show Lecture, 1963





</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 ]]></description><guid>1469 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1469</link></item><item><title>Windows in My Village

</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[Jim Hausman responds to Rhonda Roland Shearer&#39;s &#34;Marcel Duchamp&#39;s Impossible Bed and Other &#34;Not&#34; Readymade Objects: A Possible Route of Influence from Art To Science (Part I &#38; II)&#34;

 
 
 
 
 
 
 
 ]]></description><guid>1467 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1467</link></item><item><title>Just a Thought: Duchamp and Spencer


</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[Timothy A. Phillips responds to Delay in Delivery: A Postcard sent by Duchamp in 1933 by Hans de Wolf]]></description><guid>1465 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1465</link></item><item><title>The Up-Side-Down Evidence for the Non-Determination of the Morphology of the Draft Pistons



</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[Glenn Harvey responds to Rhonda Roland Shearer&#39;s reply to his &#34;Duchamp&#39;s Veiled Intentions Regarding Draft Pistons Gauze&#34;]]></description><guid>1461 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1461</link></item><item><title>RR, Art, Ah!



</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[Lyn Merrington responds to Marc Latamie&#39;s  letter to &#34;The Substantial Ghost:Towards an Exegisis of Duchamp&#39;s Artful Wordplays&#34;by Stephen Jay Gould.
 ]]></description><guid>1459 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1459</link></item><item><title>Somewhere between Dream and Reality:Shigeko Kubota's Reunion with Duchamp and Cage



</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 ]]></description><guid>1457 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1457</link></item><item><title>A Musical Happening or 33333333
























</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 ]]></description><guid>1454 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1454</link></item><item><title>Chance Operations / Limiting Frameworks: Sensitive Dependence on Initial Conditions

</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 ]]></description><guid>1452 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1452</link></item><item><title>Will Go Underground
</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ Interview de Marcel Duchamp &#224; la RTBF en 1965.

 ]]></description><guid>1440 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1440</link></item><item><title>Deux morceaux de la fili&#232;re hispanophone




</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 ]]></description><guid>1431 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1431</link></item><item><title>Prix Marcel Duchamp 2000:Seven Questions for Thomas Hirschhorn


</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 ]]></description><guid>1413 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1413</link></item><item><title>Will Go Underground

</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[Interview of Marcel Duchamp on the RTBF in 1965


 
 
 ]]></description><guid>1411 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1411</link></item><item><title>To Change Names, Simply

</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[Interview of Marcel Duchamp on Canadian Radio Television, July 17, 1960.




 
 
 ]]></description><guid>1407 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1407</link></item><item><title>Two Nuggets From The Spanish Days



</title><pubDate>Mon, 29 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 ]]></description><guid>1403 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1403</link></item><item><title>The Bride Achieves Ascendance Moments Before Orgasm, Even

</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 ]]></description><guid>1385 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1385</link></item><item><title>Response to &#34;Boats &#38; Deckchairs&#34;


</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ [The 
          following letter was written to the editor of Natural History 
          in response to the article &#34;	Boats &#38; Deckchairs&#34; by Stephen Jay 
          Gould and Rhonda Roland Shearer, which was published simultaneously 
          in Tout-Fait 1, no. 1 (December 1999) and Natural History 
          108, no. 10 (December 1999 - January 2000): 32-44.]]]></description><guid>1382 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1382</link></item><item><title>Response to &#34;Boats &#38; Deckchairs&#34;


</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ [The following letter was written to the editor of Natural History in response to the article &#34;Boats 
          &#38; Deckchairs&#34; 
          by Stephen Jay Gould and Rhonda Roland Shearer, which was published 
          simultaneously in Tout-Fait 1, no. 1 (December 1999) and Natural 
          History 108, no. 10 (December 1999 - January 2000): 32-44.]
 
 
 ]]></description><guid>1376 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1376</link></item><item><title>Examining Evidence: Did Duchamp simply use a photographof &#34;tossed cubes&#34; to create his 1925 Chess Poster?


</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 ]]></description><guid>1375 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1375</link></item><item><title>Response to &#34;Boats &#38; Deckchairs&#34;


</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ [The 
          following letter was written to the editor of Natural History 
          in response to the article &#34;Boats 
          &#38; Deckchairs&#34; by Stephen Jay Gould and Rhonda Roland Shearer, 
          which was published simultaneously in Tout-Fait 1, no. 1 (December 
          1999) and Natural History 108, no. 10 (December 1999 - January 
          2000): 32-44.]
 
 
 ]]></description><guid>1372 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1372</link></item><item><title>Rarity from 1944:A Facsimile of Duchamp&#39;s Glass

</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 ]]></description><guid>1366 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1366</link></item><item><title>Marcel Duchamp and the Museum of Forgery

</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 ]]></description><guid>1359 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1359</link></item><item><title>Response to &#34;Boats &#38; Deckchairs&#34;



</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ [The 
        following letter was written to the editor of Natural History in 
        response to the article &#34;Boats 
        &#38; Deckchairs&#34; 
        by Stephen Jay Gould and Rhonda Roland Shearer, which was published simultaneously 
        in Tout-Fait 1, no. 1 (December 1999) and Natural History 
        108, no. 10 (December 1999 - January 2000): 32-44.]]]></description><guid>1356 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1356</link></item><item><title>Duchamp et Jarry ou l&#39;inverse

</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 ]]></description><guid>1351 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1351</link></item><item><title>What Makes the Bicycle Wheel a Readymade?
</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 




 
 
 
 
 ]]></description><guid>1346 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1346</link></item><item><title>Die Bedeutung des Ready-mades f&#252;r die Kunst der Gegenwart





</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 ]]></description><guid>1342 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1342</link></item><item><title>Jarry = Duchamp
</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[
Ray points out 
4/13/01
Herdegen, Raymond J. holds all copyrights to the above top2bot,

 ]]></description><guid>1339 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1339</link></item><item><title>Duchamp and Repetition



</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[A response to &#34;The Green Box Stripped Bare&#34;and  &#34;Hidden in Plain Sight: Duchamp&#39;s 3 Standard Stoppages&#34; by Rhonda Roland Shearer and Stephen Jay Gould]]></description><guid>1338 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1338</link></item><item><title>A Note on Linda Dalrymple Henderson&#39;s &#34;Duchamp in Context&#34; (Niceron, Leonardo, Poincar&#233; &#38; Marcel Duchamp)


</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 ]]></description><guid>1332 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1332</link></item><item><title>Ready-Mades and Contemporary Art




</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 ]]></description><guid>1328 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1328</link></item><item><title>A Note on Duchamp/Saussure and the Mysterious Sign of Accordance

</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 ]]></description><guid>1325 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1325</link></item><item><title>Nude Descending Again



</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 ]]></description><guid>1320 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1320</link></item><item><title>Rrose Selections


</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 ]]></description><guid>1315 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1315</link></item><item><title>Duchamp&#39;s Veiled Intentions Regarding Draft Pistons Gauze
</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 ]]></description><guid>1313 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1313</link></item><item><title>Voyage through the Large Glass: With the Very First Computer Animation of the Large Glass








</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 ]]></description><guid>1256 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1256</link></item><item><title>R. rO. S. E. Sel. A. Vy







</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 ]]></description><guid>1255 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1255</link></item><item><title>Duchamp&#39;s Window Display for Andr&#233; Breton&#39;s Le Surr&#233;alisme et la Peinture (1945)






</title><pubDate>Wed, 24 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 ]]></description><guid>1249 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1249</link></item><item><title>In  Boggs We Trust


</title><pubDate>Tue, 23 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[









 
 
 
 ]]></description><guid>1242 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1242</link></item><item><title>R. rO. S. E. Sel. A. Vy














</title><pubDate>Tue, 23 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 ]]></description><guid>1240 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1240</link></item><item><title>Potty Talk: Marcel Duchamp, Kenneth Burke, and Pure Persuasion


</title><pubDate>Tue, 23 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 ]]></description><guid>1238 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1238</link></item><item><title>Between Music and the Machine: Francis Picabia and the End of Abstraction
</title><pubDate>Tue, 23 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ ]]></description><guid>1235 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1235</link></item><item><title>Duchamp &#38; Androgyny:The Concept and its Context





</title><pubDate>Tue, 23 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ For my grandson Kai 








 
 
 
 
 
 ]]></description><guid>1226 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1226</link></item><item><title>Once More to this Staircase: Another Look at Encore &#224; cet Astre


</title><pubDate>Tue, 23 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[



 
 
 ]]></description><guid>1221 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1221</link></item><item><title>From Blues to Haikus: An interview with Charles Henri Ford




</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 ]]></description><guid>1209 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1209</link></item><item><title>Shooting Bullets at the Barn

</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
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</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
 
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</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ ]]></description><guid>1190 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1190</link></item><item><title>An Open Letter to Donald Kuspit
</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ ]]></description><guid>1189 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1189</link></item><item><title>A Life in Pictures Revisited

</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 ]]></description><guid>1186 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1186</link></item><item><title>Leonardo's Optics Through the Eyes of Duchamp: A Note on the Small Glass

</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 ]]></description><guid>1180 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1180</link></item><item><title>Duchamp is Global: From Philadelphia to Jerusalem




</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
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</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
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</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[Bill Tanch replies to Glenn Harvey&#39;s letter to the editor, Duchamp&#39;s Veiled Intentions Regarding Draft Pistons Gauze]]></description><guid>1171 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1171</link></item><item><title>Rolling the &#34;RRRR&#34;









</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[Marc Latamie responds to The Substantial Ghost: Towards a General Exegesis of Duchamp&#39;s Artful Wordplays by Stephen Jay Gould]]></description><guid>1169 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1169</link></item><item><title>3-D goes 4-D


</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ Rogelio Mac&#237;as-Ord&#243;&#241;ez responds to Boats &#38; Deckchairs, by Stephen Jay Gould and Rhonda Roland Shearer]]></description><guid>1166 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1166</link></item><item><title>Duchamp as Trickster


</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 ]]></description><guid>1163 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1163</link></item><item><title>The Stereochemistry of Boats and Chairs





</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[Stephan E. Hauser responds to Robert Ausubel&#39;s Letter to the editor regarding Boats &#38; Deckchairs by Stephen Jay Gould and Rhonda Roland Shearer
 ]]></description><guid>1161 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1161</link></item><item><title>The Gift of Cassandra
</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ ]]></description><guid>1159 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1159</link></item><item><title>L&#39;inventeur du temps gratuit


</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[With a preface by Gervais, Andr&#233;

 
 
 ]]></description><guid>1145 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1145</link></item><item><title>Science meets Art: This Quarter and Jacob Bronowski


</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
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</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
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</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 ]]></description><guid>1129 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1129</link></item><item><title>Jarry, Joyce, Duchamp and Cage



</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
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</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
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</title><pubDate>Mon, 22 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
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</title><pubDate>Fri, 19 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 ]]></description><guid>1100 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1100</link></item><item><title>Through the Large Glass (1994)
</title><pubDate>Fri, 19 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
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</title><pubDate>Fri, 19 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
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</title><pubDate>Fri, 19 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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</title><pubDate>Fri, 19 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[Compiled by Girst, Thomas (visuals by Mika, Andrzej)







 
 
 
 
 
 
 
 
 ]]></description><guid>1086 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1086</link></item><item><title>Dreaming with Open Eyes:The Vera, Silvia and Arturo Schwarz Collection of Dada and Surrealist Art at the Israel Museum, Jerusalem</title><pubDate>Fri, 19 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[
 
 
 
 
 
 
 
 
 
 ]]></description><guid>1083 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=1083</link></item><item><title>Duchamps Horoskop

</title><pubDate>Fri, 19 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
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</title><pubDate>Fri, 19 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 ]]></description><guid>989 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=989</link></item><item><title>Duchamp at NASA
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</title><pubDate>Thu, 18 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 ]]></description><guid>985 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=985</link></item><item><title>A Pun Among Friends



</title><pubDate>Thu, 18 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 ]]></description><guid>983 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=983</link></item><item><title>Involuntary Muscular Action as an Untapped Energy Source:  An Invention by Leonardo da Vinci and Marcel Duchamp




</title><pubDate>Thu, 18 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 ]]></description><guid>981 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=981</link></item><item><title>Ready-Aid?: A Note on Philippe Duboy&#39;sLequeu: An Architectural Enigma

</title><pubDate>Thu, 18 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 ]]></description><guid>978 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=978</link></item><item><title>Psychological Analysis of Duchamp&#39;s Handwriting

</title><pubDate>Thu, 18 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
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</title><pubDate>Thu, 18 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 ]]></description><guid>974 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=974</link></item><item><title>Between Gadget and Re-made: The Revolving History of the Bicycle Wheel
















</title><pubDate>Thu, 18 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 







 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 ]]></description><guid>971 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=971</link></item><item><title>Marcel Duchamp Chose Emmentaler Cheese (1942)

</title><pubDate>Thu, 18 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
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</title><pubDate>Thu, 18 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 ]]></description><guid>964 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=964</link></item><item><title>Painting the Large Glass
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</title><pubDate>Thu, 18 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 ]]></description><guid>960 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=960</link></item><item><title>Into the Vitrine
</title><pubDate>Thu, 18 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ ]]></description><guid>958 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=958</link></item><item><title>Memoirs: Art &#38; Art History

</title><pubDate>Thu, 18 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
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</title><pubDate>Thu, 18 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 







 
 
 
 
 
 
 
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</title><pubDate>Thu, 18 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 ]]></description><guid>950 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=950</link></item><item><title>Marcel Duchamp -&#201;tant donn&#233;s: Det Dekonstruerede Maleri (The Deconstructed Painting)


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 ]]></description><guid>947 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=947</link></item><item><title>Pata or Quantum: Duchamp and the End of Determinist Physics




</title><pubDate>Thu, 18 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 ]]></description><guid>945 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=945</link></item><item><title>Marcel Duchamp - &#201;tant donn&#233;s: The Deconstructed Painting


</title><pubDate>Thu, 18 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 





 
 
 
 ]]></description><guid>941 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=941</link></item><item><title>The Art of Looking Back and the Reward of More or Less Being Seen




</title><pubDate>Thu, 18 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 ]]></description><guid>937 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=937</link></item><item><title>Duchamp in Sweden 1933-1970: A Critical Review



</title><pubDate>Wed, 17 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[






 
 
 
 
 ]]></description><guid>927 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=927</link></item><item><title>The Bachelors: Pawns in Duchamp&#39;s Great Game

</title><pubDate>Wed, 17 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 ]]></description><guid>919 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=919</link></item><item><title>The Unfindable Readymade

</title><pubDate>Wed, 17 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
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</title><pubDate>Wed, 17 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 ]]></description><guid>910 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=910</link></item><item><title>Duchamp Festival at California State University, Hayward

</title><pubDate>Wed, 17 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 ]]></description><guid>906 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=906</link></item><item><title>The Substantial Ghost: Towards a General Exegesis of Duchamp&#39;s Artful Wordplays


</title><pubDate>Wed, 17 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 ]]></description><guid>898 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=898</link></item><item><title>Drawing the Maxim from the Minim:The Unrecognized Source of Niceron&#39;s Influence Upon Duchamp


</title><pubDate>Wed, 17 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 ]]></description><guid>896 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=896</link></item><item><title>Announcing the &#34;International Online Bibliography of Dada&#34;


</title><pubDate>Wed, 17 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 
 ]]></description><guid>879 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=879</link></item><item><title>Duchamp at the Turn of the Centuries






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 ]]></description><guid>875 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=875</link></item><item><title>Duchamp Bottles Belle Greene: Just Desserts For His Canning

</title><pubDate>Wed, 17 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[

 
 
 
 ]]></description><guid>866 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=866</link></item><item><title>For a Portrait of Marcel Duchamp:&#34;The Dedications Speak&#34;


</title><pubDate>Wed, 17 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[


 
 
 
 ]]></description><guid>858 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=858</link></item><item><title>Marcel Duchamp and the End of Taste: A Defense of Contemporary Art



</title><pubDate>Wed, 17 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[ 
 
 
 ]]></description><guid>846 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=846</link></item><item><title>LE GRAND VERRE: Visite Guid&#233;e
</title><pubDate>Wed, 17 Nov 2004 09:04:05 GMT</pubDate><description><![CDATA[(Paris: l&#39;&#201;choppe, 1992.)






 
 
 
 ]]></description><guid>845 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=845</link></item><item><title>&#34;From the Splash to the Flash, with the best wishes of Le Soigneur de Gravit&#233;,&#34; The Large Glass: A Guided Tour

</title><pubDate>Wed, 17 Nov 2004 09:04:06 GMT</pubDate><description><![CDATA[ (Caen and Paris: l&#39;&#201;choppe, 1992.)








 
 
 
 
 ]]></description><guid>841 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=841</link></item><item><title>Pour un portrait de Marcel Duchamp:&#34; disent les d&#233;dicaces &#34;
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 ]]></description><guid>814 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=814</link></item><item><title>Le Picadilly by Erik Satie (1866-1925)

</title><pubDate>Mon, 15 Nov 2004 09:04:06 GMT</pubDate><description><![CDATA[ 
 
 
 ]]></description><guid>809 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=809</link></item><item><title>Erratum Musical, 1913
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 ]]></description><guid>801 at http://www.toutfait.com</guid><link>http://www.toutfait.com/online_journal_details.php?postid=801</link></item><item><title>&#34;Two Minds on a Single Wavelength:&#34; Timothy Phillips on Salvador Dali and Marcel Duchamp


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</title><pubDate>Mon, 15 Nov 2004 09:04:06 GMT</pubDate><description><![CDATA[Juan Antonio Ram&#237;rez, Duchamp: love and death, even, Translated by Alexander R. Tulloch. Reaktion Books, 1998. ($45) (293 pp).
 

 










 
 
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</title><pubDate>Mon, 08 Nov 2004 09:04:06 GMT</pubDate><description><![CDATA[A Perceived Shortcoming of Theory
in a Book on Duchamp* Discussed and
Critiqued by its Author





 
 
 
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