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| Antonio Castronuovo recommends: |
Cahier de Talamanca
by Emil M. Cioran (Paris, Mercure de France, 2000) |
Scritti
by Mark Rothko (Milano, Abscondita, 2002) |
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Quaderni vol. 5
by Paul Valery (Milano, Adelphi, 2002) |
Lumières alluées
by Bella Chagall (Paris, Gallimard, 1994) |

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Il Mito di Atene
by Antonio Castronuovo
(Imola, La Mandragora, 2001)
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Ombre
del Novecento
by Antonio Castronuovo (Imola, La Mandragora, 2002) |
Les fous litteraires
by Andre Blavier (Dijon, Editions des Cendres, 2000)
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André Gervais recommends: |
Paratexts : Thresholds of Interpretation
by Gérard Genette (Cambridge U. Press, 1997) |
Le voyageur
by Alain Robbe-Grillet (Paris, Bourgois, 2001) |
La Raie Alitèe D’Effets, Apropos of
Marcel Duchamp Brèches, Hurtubise HMH, 1984, 437 pages |
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Mimologics
by Gérard Genette (University of Nebraska, 1995) |
C'EST,
MARCEL DUCHAMP DANS LA FANTAISIE HEUREUSE DE L'HISTOIRE
Rayon Art, Chambon, 2000, 383 pages. |
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Glenn Harvey recommends: |
Language, Saussure, and Wittgenstein: How to Play Games With Words
by Roy Harris
(New York: Routledge, 1988) |
Raymond Roussel and the Republic of Dreams
by Mark Ford
(New York: Cornell Univ Press, 2000) |
Camera Lucida : Reflections on Photography
Roland Barthes
(New York: Noonday Press, 1982) |

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The Plague of Fantasies
by Slavoj Zizek
(New York: Verso Books, 1997)
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Infinite Regress: Marcel Duchamp 1910-1941
by David Joselit
(Cambridge, MA: MIT Press, 1998) |
Their Common Sense
by Molly Nesbit
(London: Black Dog Publishing, 2000) |
Jules Laforgue: Selected Poems
by Jules Laforgue (Penquin Classics, 1999)
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Thelonious Monk: His Life and Music by Thomas Fitterling (Berkeley Hills Books, 1997)
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The Optical Unconscious
by Rosalind E. Krauss (MIT Press, 1994)
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Saussure and His Interpreters
by Roy Harris
(New York: New York University Press, 2002) |
Libertine
by Louis Aragon (Calder Publications, 1987) |
Night Flight / Southern Mail
by Antoine de Saint-Exupery (Everyman Publishers, 2001) |
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| Daniel Huertas Nadal recommends: |
Marcel Duchamp
by Dawn Ades, Neil Cox, David Hopkins, Duchamp (London: Ed Thames
and Hudson, 1999)

Interview vs. Marcel Duchamp
by J.Johnson Sweeney, The Museum of Modern Art Bulletin, vol. 13
(New York: MOMA, 1945)
Duchamp du signe: écrits
by Marcel Duchamp, (Paris: Ed. Flammarion, 1978)
Ingénieur du temps perdu: Entretiens avec Pierre Cabanne
by Pierre Cabanne (Paris: Pierre Belfond,1977)
Seis Propuestas Para El Proximo Milenio
by Italo calvino(Madrid: Libros del Tiempo. Editorial Siruela, 1989)
A sedimentation of the mind: Earth Projects. Retrospective
works 1955-1973
by Robert Smithson (Oslo: The National Museum Of Contemporary Art,
1999)
My Position
by Dan Graham, (Villeurbanne: Nouveau Musée/Presses du Réel, 1992).
La Visión y el Tiempo
by Pablo Palazuelo (Madrid: Museo Nacional Reina Sofía, 1995)
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Edward D. Powers recommends: |
Marcel Duchamp
by Dawn Ades, Neil Cox, David Hopkins
(N.Y.: Thames and Hudson, 1999) |
The Definitively Unfinished Marcel Duchamp
by WThierry de Duve (ed.)
(Cambridge, Mass.: M.I.T. Press, 1991) |
Visions of Excess: Selected Writings, 1927-1939
by Georges Bataille, 1927-1939, ed. and trans. Allan Stoekl
(Minneapolis: University of Minnesota Press, 1985) |

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On Language
by Roman Jakobson
(Cambridge, Mass.: Harvard University Press, 1990) |
The Originality of the Avant-Garde and Other Modernist Myths
by Rosalind Krauss
(Cambridge, Mass.: M.I.T. Press, 1985) |
Marcel Duchamp: Artist of the Century
by Rudolf Kuenzli and Francis Naumann (Eds.)
(Cambridge, Mass.:M.I.T. Press, 1990) |
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| Rhonda R. Shearer recommends: |
The Languages of the Brain
by Albert M. Galaburda, Stephen M. Kosslyn, and Yves Christen (Eds.)
(Cambridge, MA: Harvard University Press, 2002) |
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John Vick recommends: |
Legend, Myth, and Magic in the Image of the Artist: A Historical Experiment
by Ernst Kris, Otto Kurz, (contributor) E.H. Gombrich (New Haven, London: Yale University Press, 1979) |
Perspective as Symbolic Form
by Erwin Panofsky, (translator) Christopher S. Wood (Cambridge: MIT Press, 1993) |
Duchamp: Domestic Patterns, Covers, and Threads
by W. Bowdoin Davis, Jr. (New York: Midmarch Arts Press, 2002) |
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