ASRL / PERPETUAL 2014
 
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Re-evaluating the Art & Chess of Marcel Duchamp
by Randall, Ian
(Perpetual , 2007)
 
 
Color-Coded Chromatic Chess
by Naumann, Francis M.
(Vol 1, 2005)
 
 
Duchamp, May 24, 2003
London: Study day at Tate Gallery

by Tate Gallery
(Vol 2/ Issue 5, 2003)
 
 
Duchamp, 10. Mai 2003
Wien: Ausstellung und Symposium
[German]
by Sammlung Hummel, Wien
(Vol 2/ Issue 5, 2003)
 
Duchamp, May 10, 2003
Vienna: Exhibition and Symposium

by Collection Hummel, Vienna
(Vol 2/ Issue 5,2003)
 
Duchamp's Perspective:
The Intersection of Art and Geometry

by Adcock, Craig
(Vol 2/ Issue 5, 2003)
 
 
DD / DIAGRAMMAR / VERSION 1.1 / 2003
by bonk, ecke
(Vol 2/ Issue 5, 2003)
 
 
Moules femâlics [French]
by Clair, Jean
(Vol 2/ Issue 5, 2003)
 
Femalic Molds
by Clair, Jean (Translation by Stapleton, Taylor M.)
(Vol 2/ Issue 5,2003)
 
Marcel Duchamp: Money Is No Object
The Art of Defying the Art Market

by Naumann, Francis M.
(Vol 2/ Issue 5, 2003)
 
 
Recording of Marcel Duchamp's Armory Show Lecture, 1963
by Miller, Richard N. (Transcription by Stapleton, Taylor M.)
(Vol 2/ Issue 5, 2003)
 
 
"A very normal guy":
An Interview with Robert Barnes on Marcel Duchamp and Étant Donnés

by Girst, Thomas
(Vol 2/ Issue 4, 2002)
 
 
Duchamp and September 11
by Gould, Stephen Jay
(Vol 2/ Issue 4, 2002)
 
 
Duchamp Festival at California State University, Hayward
by Graham, Lanier
(Vol 1/ Issue 3, 2000)
 
 
Drawing the Maxim from the Minim:
The Unrecognized Source of Niceron's Influence Upon Duchamp

by Gould, Stephen Jay and Shearer, Rhonda Roland
(Vol 1/ Issue 3, 2000)
 
 
Announcing the "International Online Bibliography of Dada"
by Shipe, Timothy
(Vol 1/ Issue 2, 2000)
 
 
Duchamp at the Turn of the Centuries
by Clair, Jean (Translated by Kilborne, Sarah Skinner)
(Vol 1/ Issue 3, 2000)
 
 
Delay in Delivery:
A postcard sent by Duchamp in 1933

by de Wolf, Hans
(Vol 1/ Issue 2, 2000)
 
 
Duchamp Bottles Belle Greene: Just Desserts For His Canning
by Garner, Bonnie Jean
(with text boxes by Gould, Stephen Jay)
(Vol 1/ Issue 2, 2000)
 
 
Marcel Duchamp and the End of Taste:
A Defense of Contemporary Art

by Danto, Arthur C.
(with audio and video)
(Vol 1/ Issue 3, 2000)
 
 
The Green Box Stripped Bare:
Marcel Duchamp's 1934 "Facsimiles" Yield Surprises

by Shearer, Rhonda Roland and Gould, Stephen Jay
(Vol 1/ Issue 1, 1999)
 
 
Hidden in Plain Sight: Duchamp's 3 Standard Stoppages,
More Truly a "Stoppage" (An Invisible Mending) Than We Ever Realized

by Shearer, Rhonda Roland and Gould, Stephen Jay
(Vol 1/ Issue 1, 1999)
 
 
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