ASRL / PERPETUAL 2014
 
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Opposition and Sister Squares: Marcel Duchamp and Samuel Beckett.
by Andrew Hugill, Bath Spa University, UK
(Perpetual , 2013)
 
 
Marcel Duchamp - Spring, 1911 - Where it All Begins
by Kurt Godwin
(Perpetual , 2009)
 
 
Belle Haleine: Eau de Voilette [Beautiful Breath: Veil Water], 1921
by Francis M. Naumann
(Perpetual , 2009)
 
 
A New Look: Marcel Duchamp, his twine, and the 1942 First Papers of Surrealism Exhibition
by Vick, John
(Perpetual , 2008)
 
 
A Problem With No Solution
by Naumann, Francis
(Vol -1, 2008)
 
 
Re-evaluating the Art & Chess of Marcel Duchamp
by Randall, Ian
(Perpetual , 2007)
 
 
Remembering Marcel and Duchamp
by Sauerwein, Laurent
(Vol -1, 2007)
 
 
Attracting Dust in New Zealand
Lost And Found: Betty's Waistcoat and Other Duchampian Traces

by Moore, Marcus
(Vol -1, 2007)
 
 
The Bachelor Stripped Bare by Cabri Geometre, Even
by Giunti, Roberto
(Vol -1, 2007)
 
 
Cinq petites choses à propos de L.H.O.O.Q. [French]
by André Gervais
(Vol -1, 2007)
 
 
Response to "Femalic Molds"
by Dickson, Stewart
(Vol -1, 2007)
 
 
On Readymades by/of Marcel Duchamp
by Bender, Evan
(Vol -1, 2007)
 
 
Animated Reconstruction of Rotoreliefs
by Ludwig Schmidtpeter
(Vol -1, 2007)
 
 
Identità’ e dissoluzione, per un approccio erotico all’opera d’arte [Italian]
by Casacchia, Valentina
(Perpetual , 2005)
 
 
Unpacking the Boîte-en-valise:
Playing off Duchampian Deferral and Derrida's "différance"

by Lam, Yishan
(Perpetual , 2005)
 
 
Die Lust am Sehen
Marcel Duchamps „Étant donnés“: zwischen der Skopisierungs des
Begehrens und der Feminisierung des Bildraumes
[German]
by Bahtsetzis, Sotirios
(Perpetual , 2005)
 
 
Snoop-Snoop Fate
by Praxis (Delia Bajo and Brainard Carey)
(Perpetual , 2005)
 
 
On Swift Nudes and Flying Friars
by Karelse, Theun
(Perpetual , 2005)
 
 
A Tribute to Friends Who Left Us
by Chen, Yaling
(Vol -1, 2005)
 
 
Modernist (Im)mobilities:
Marcel Duchamp, Samuel Beckett, and the Avant-Garde Bike

by Kennedy, Jake
(Perpetual , 2005)
 
 
BELLE da COSTA GREENE
A Biographical Sketch of a Friend &
Acquaintance of Aleister Crowley

by Jackson, Steve
(Vol -1, 2005)
 
 
Excels
by Davies, Lynda
(BSc hons, Psychology; PhD, and Information Management)
(Vol -1, 2005)
 
 
Advertising Theory:
"Branding" and Duchamp’s Productions

by Artamendi, Felix Guerenabarrena
(Vol -1, 2005)
 
 
A Post-card and The Clew
by Cruz, Mauricio
(Perpetual , 2005)
 
 
The Trashures Project
by Bell, Jason Robert
(Perpetual , 2005)
 
 
Why Duchamp?:
The Influence of Marcel Duchamp on
Contemporary Architectural Theory and Practice

by Tigner, Amanda
(Vol -1, 2005)
 
 
Case Open and/or Unsolved:
Étant donnés, the Black Dahlia Murder, and Marcel Duchamp’s Life of Crime

by Wallis, Jonathan
(Perpetual , 2005)
 
 
By the way of Herne Bay (a biographical note)
by Harvey, Glenn
(Vol -1, 2005)
 
 
Color-Coded Chromatic Chess
by Naumann, Francis M.
(Vol 1, 2005)
 
 
Welcome to the New Tout-Fait
by Shearer, Rhonda Roland
(Vol -1, 2005)
 
 
The Artist as a Social Critique
by Mohn, Anja
(Perpetual , 2005)
 
 
Duchamp at the Pompidou by Video Tour
by ASRL
(Vol -1, 2005)
 
 
The Late Show Line Up: BBC UK Interview with Marcel Duchamp, June 5, 1968
by Bakewell, Joan
(Perpetual , 2005)
 
 
Unmaking the Museum: Marcel Duchamp’s Readymades in Context
by Seekamp, Kristina
(Vol -1, 2005)
 
 
Duchamp's Gendered Plumbing: A Family Business?
by Spector, Jack
(Perpetual , 2005)
 
 
Summary of Selections of Recommended Books
by Tout-Fait's Contributors

by ASRL
(Perpetual , 2005)
 
 
Response to "What Makes the Bicycle Wheel a Readymade?"
by Shearer, Rhonda Roland
(Vol -1, 2000)
 
 
Response to "Duchamp's Veiled Intentions Regarding Draft Pistons Gauze"
by Shearer, Rhonda Roland
(Vol 1/ Issue 2, 2000)
 
 
Response to 'Duchamp and Dreier'
by Anastasi, William
(Vol 1/ Issue 2, 2000)
 
 
Duchamp and Dreier
by Angeline, John
(Vol 1/ Issue 2, 2000)
 
 
Response to "'Infusion Ball' or 'Holy Ampule'?"
by Shearer, Rhonda Roland
(Vol 1/ Issue 2, 2000)
 
 
Response to "Windows in My Village"
by Shearer, Rhonda Roland
(Vol 2/ Issue 4, 2002)
 
 
Response to "The Magic Number"
by Girst, Thomas
(Vol 2/ Issue 5, 2003)
 
 
Reply to Kline's response to "Straight Forks and Pneumatic Tires:
Historicizing Duchamp’s Bicycle Wheel of (1913)"

by Allen, John S
(Vol 2/ Issue 5, 2003)
 
 
Response to "Straight Forks and Pneumatic Tires:
Historicizing Duchamp’s Bicycle Wheel of (1913)"

by Kline, Douglas
(Vol 2/ Issue 5, 2003)
 
 
Duchamp, May 24, 2003
London: Study day at Tate Gallery

by Tate Gallery
(Vol 2/ Issue 5, 2003)
 
 
Duchamp, 10. Mai 2003
Wien: Ausstellung und Symposium
[German]
by Sammlung Hummel, Wien
(Vol 2/ Issue 5, 2003)
 
 
Glasswanderers
by Dür, Julia
(Vol 2/ Issue 5, 2003)
 
 
Duchamp's Perspective:
The Intersection of Art and Geometry

by Adcock, Craig
(Vol 2/ Issue 5, 2003)
 
 
DD / DIAGRAMMAR / VERSION 1.1 / 2003
by bonk, ecke
(Vol 2/ Issue 5, 2003)
 
 
Complexity Art
by Giunti, Roberto
(with animations)
(Vol 2/ Issue 5, 2003)
 
 
Voisins du Zero:
Hermafroditismo y Velocidad
[Spanish]
by Cruz, Mauricio
(Vol 2/ Issue 5, 2003)
 
 
Rrose Sélavy e la gnosi erotica [Italian]
by Castronuovo, Antonio
(Vol 2/ Issue 5, 2003)
 
 
(Ab)Using Marcel Duchamp: The Concept of the Readymade
in Post-War and Contemporary American Art

by Girst, Thomas
(Vol 2/ Issue 5, 2003)
 
 
Die Frage der Schaufenster:
Marcel Duchamps Arbeiten in Schaufenstern
[German]
by Schleif, Nina
(Vol 2/ Issue 5, 2003)
 
 
Words and Worlds:
Dada and the Destruction of Logos, Zurich 1916

by Scanlan, John
(Vol 2/ Issue 5, 2003)
 
 
Fasten your Seatbelts as We Prepare for Our Nude Descending
by Powers, Edward D.
(Vol 2/ Issue 5, 2003)
 
 
Von Readymades und "Asstricks" [German]
by Girst, Thomas
(Vol 2/ Issue 5, 2003)
 
 
Duchamp Past and Present
by Girst, Thomas Editor-in-Chief
(Vol 2/ Issue 4, 2002)
 
 
The State of Duchamp Studies in the New Millenium
by Girst, Thomas Editor-in-Chief
(Vol 1/ Issue 2, 2000)
 
 
Variations on The Large Glass's Chocolate Grinder
by Jones, Mark
(Vol 1/ Issue 2, 2000)
 
 
Moules femâlics [French]
by Clair, Jean
(Vol 2/ Issue 5, 2003)
 
 
James Joyce and Marcel Duchamp
by Anastasi, William
(Vol 2/ Issue 5, 2003)
 
 
Precision Optics / Optical Illusions:
Inconsistency, Anemic Cinema, and the Rotoreliefs

by Betancourt, Michael
(Vol 2/ Issue 5, 2003)
 
 
Intentions: Logical and Subversive
The Art of Marcel Duchamp, Concept Visualization,
and Immersive Experience

by Merritt, Richard K.
(Vol 2/ Issue 5, 2003)
 
 
Wittgenstein Plays Chess with Duchamp or How Not to Do Philosophy:
Wittgenstein on Mistakes of Surface and Depth

by Gerrard, Steven B.
Professor of Philosophy, Williams College
(Vol 2/ Issue 5, 2003)
 
 
Painting in Three Dimensions
by Krank, Sarah C.
(Vol 2/ Issue 5, 2003)
 
 
Lost Object-Found
by Petrov, Nura
(Vol 2/ Issue 5, 2003)
 
 
Marcel’s Dream as told by Jacques Villon
by Shambroom, Donald
(Vol 2/ Issue 5, 2003)
 
 
Marcel Duchamp and the Transhuman
by Arakawa and Gins, Madeline
(Vol 2/ Issue 5, 2003)
 
 
Do it Yourself!
Die Geburt der Co-Autorschaft aus dem Geiste Duchamps
[German]
by Blunck, Lars
(Vol 2/ Issue 5, 2003)
 
 
El Límite Soñado:
Arquitecturas De Vidrio No Construidas,
Reflexiones Desde El Siglo XXI: Las Vanguardias Artísticas
[Spanish]
by Nadal, Daniel Huertas
(Vol 2/ Issue 5, 2003)
 
 
Duchamp the Gardener
by Taylor, Jemima
(Vol 2/ Issue 5, 2003)
 
 
Observations on Duchamp’s Color
by Phillips, Timothy
(Vol 2/ Issue 5, 2003)
 
 
Mirror, Mirror:
The Strange Case of the Salon de Fleurus

by Lindsay, David
(Vol 2/ Issue 5, 2003)
 
 
Wanted: Original Manuscript on Marcel Duchamp
by Kraus, Eva and Sonzogni, Valentina
(Vol 2/ Issue 5, 2003)
 
 
Zur Marcel Duchamp-Rezeption in Mittel-und
Osteuropa im Kontext des Netzwerks der Mail Art:
Ein Interview mit Serge Segay
[German]
by von Röder, Kornelia
(Vol 2/ Issue 5, 2003)
 
 
Dada is Dead, Beware of the Fire!
An Interview with Huang Yong Ping

by Chen, Ya-Ling
(Vol 2/ Issue 5, 2003)
 
 
Rotorelief Interactief
by Lewis, Stephen
(Vol 2/ Issue 5, 2003)
 
 
Why Teeny's Hair?
by Hart, Grant
(with audio)
(Vol 1, 2003)
 
 
Flag of Ecstasy
by Rael, Chris
(with audio)
(Vol 2/ Issue 5, 2003)
 
 
Marcel Duchamp: Money Is No Object
The Art of Defying the Art Market

by Naumann, Francis M.
(Vol 2/ Issue 5, 2003)
 
 
Desnuda-vestido, vestida-desnudo:
Les amoureuses (Elena & Rrrose), con Duchamp al fondo
[Spanish]
by Ramírez, Juan Antonio
(Vol 2/ Issue 5, 2003)
 
 
The Magic Number
by McNamara, John
(Vol 2/ Issue 5, 2003)
 
 
Postcard and Duchamp
by Sacra, Robert
(Vol 2/ Issue 5, 2003)
 
 
Minerva, Arachne and Marcel
by Brown, Jonathan
(Vol 2/ Issue 5, 2003)
 
 
Bicycle Wheel Stool
by Bast, Robert
(Vol 2/ Issue 5, 2003)
 
 
Straight Forks and Pneumatic Tires:
Historicizing Duchamp’s Bicycle Wheel of (1913)

by Allen, John S.
(Vol 2/ Issue 5, 2003)
 
 
Marcel Duchamp and Beyond
by Girst, Thomas Editor-in-Chief
(Vol 2/ Issue 5, 2003)
 
 
Recording of Marcel Duchamp's Armory Show Lecture, 1963
by Miller, Richard N. (Transcription by Stapleton, Taylor M.)
(Vol 2/ Issue 5, 2003)
 
 
Windows in My Village
by Hausman, Jim
(Vol 2/ Issue 4, 2002)
 
 
Just a Thought: Duchamp and Spencer
by Phillips, Timothy A.
(Vol 2/ Issue 4, 2002)
 
 
Transfiguring Triviality
by Hughey, Kirk
(Vol 2/ Issue 4, 2002)
 
 
The Up-Side-Down Evidence for
the Non-Determination of the Morphology of the Draft Pistons

by Harvey, Glenn
(Vol 2/ Issue 4, 2002)
 
 
RR, Art, Ah!
by Merrington, Lyn
(Vol 2/ Issue 4, 2002)
 
 
Somewhere between Dream and Reality:
Shigeko Kubota’s Reunion with Duchamp and Cage

by Chen, Ya-Ling
(with video and audio)
(Vol 2/ Issue 4, 2002)
 
 
A Musical Happening or 33333333
by Shambroom, Donald
(Vol 2/ Issue 4, 2002)
 
 
Chance Operations / Limiting Frameworks:
Sensitive Dependence on Initial Conditions

by Betancourt, Michael
(with audio)
(Vol 2/ Issue 4, 2002)
 
 
Prix Marcel Duchamp 2000:
Sieben Fragen für Thomas Hirschhorn
[German]
by Girst, Thomas
(Vol 2/ Issue 4, 2002)
 
 
Will Go Underground [French]
by Neyens, Jean
(Vol 2/ Issue 4, 2002)
 
 
Changer De Nom, Simplement [French]
by Viau, Guy
(Vol 2/ Issue 4, 2002)
 
 
Deux morceaux de la filière hispanophone [French]
by Gervais, André
(Vol 2/ Issue 4, 2002)
 
 
The Bride Achieves Ascendance Moments Before Orgasm, Even [French]
by Valentine, Peter
(Vol 2/ Issue 4, 2002)
 
 
Response to "Boats & Deckchairs"
by Schmitt, James L.
(Vol 1/ Issue 2, 2000)
 
 
Response to "Boats & Deckchairs"
by Naumann, Francis M.
(Vol 1/ Issue 2, 2000)
 
 
Examining Evidence: Did Duchamp simply use a photograph
of "tossed cubes" to create his 1925 Chess Poster?

by Shearer, Rhonda Roland and Slawinski, Robert
(Vol 2/ Issue 4, 2002)
 
 
Response to "Boats & Deckchairs"
by McCallum, Bill
(Vol 1/ Issue 2, 2000)
 
 
Rarity from 1944:
A Facsimile of Duchamp's Glass

by Dreier, Katherine S. and Echaurren, Roberto Matta
(Vol 2/ Issue 4, 2002)
 
 
Marcel Duchamp and the Museum of Forgery
by LaFarge, Antoinette
(Vol 2/ Issue 4, 2002)
 
 
Response to "Boats & Deckchairs"
by Ausubel, Robert
(Vol 1/ Issue 2, 2000)
 
 
Duchamp et Jarry ou l'inverse [French]
by van der Velden, Bastiaan
(Vol 2/ Issue 4, 2002)
 
 
What Makes the Bicycle Wheel a Readymade?
by Ghalem, Yassine
(Vol 1/ Issue 2, 2000)
 
 
Die Bedeutung des Ready-mades für die Kunst der Gegenwart [German]
by Enßlen, Michael
(Vol 2/ Issue 4, 2002)
 
 
Jarry = Duchamp
by Herdegen, Raymond J.
(Vol 2/ Issue 4, 2002)
 
 
Duchamp and Repetition
by Zaunschirm, Thomas
(Vol 1/ Issue 2, 2000)
 
 
A Note on Linda Dalrymple Henderson's "Duchamp in Context"
(Niceron, Leonardo, Poincaré & Marcel Duchamp)

by Phillips, Timothy A.
(Vol 2/ Issue 4, 2002)
 
 
A Note on Duchamp/Saussure and the Mysterious Sign of Accordance
by Harvey, Glenn
(Vol 2/ Issue 4, 2002)
 
 
Nude Descending Again
by Hundley, Richard
(Vol 2/ Issue 4, 2002)
 
 
Rrose Selections
by Kilborne, S.S.
(Vol 2/ Issue 4, 2002)
 
 
Duchamp's Veiled Intentions Regarding Draft Pistons Gauze
by Harvey, Glenn
(Vol 1/ Issue 2, 2000)
 
 
Elena del Rivero and Marcel Duchamp: Les Amoureuses
by Girst, Thomas
(with an excerpt of an essay on the artist by Gonzales, Rita)
(Vol 2/ Issue 4, 2002)
 
 
'Infusion Ball' or 'Holy Ampule'?
by Else, Tobias
(Vol 1/ Issue 2, 2000)
 
 
The Wicked and Unfaithful Song Of Marcel Duchamp To His Queen
by Carroll, Paul (1961)
with music by Austin, John (1979)
(Vol 2/ Issue 4, 2002)
 
 
Transformation and Tradition:
Interview with Sanford Biggers

by Wilcox, Lauren
(with video)
(Vol 2/ Issue 4, 2002)
 
 
Voyage à travers le Grand Verre:
Avec le premier cinéma-vidéo du Grand Verre sur le web
[French]
by Suquet, Jean
(Vol 1/ Issue 2, 2000)
 
 
The Bride Stripped Bare by Her Bachelors, Even…more
by Summers, Dennis
(Vol 1/ Issue 2, 2000)
 
 
R. rO. S. E. Sel. A. Vy [Italian]
by Giunti, Roberto
(with animation)
(Vol 2/ Issue 4, 2002)
 
 
Duchamp's Window Display for André Breton's
Le Surréalisme et la Peinture (1945)

by Girst, Thomas
(with an animation by Slawinski, Robert)
(Vol 2/ Issue 4, 2002)
 
 
In Boggs We Trust
by Velthuis, Olav
(Vol 2/ Issue 4, 2002)
 
 
Potty Talk: Marcel Duchamp, Kenneth Burke, and Pure Persuasion
by Heckman, Davin
(Vol 2/ Issue 4, 2002)
 
 
Between Music and the Machine: Francis Picabia and the End of Abstraction
by Rothman, Roger I.
(Vol 2/ Issue 4, 2002)
 
 
Duchamp & Androgyny:
The Concept and its Context

by Graham, Lanier
(Vol 2/ Issue 4, 2002)
 
 
Once More to this Staircase:
Another Look at Encore à cet Astre

by Bailey, Bradley
(Vol 2/ Issue 4, 2002)
 
 
From Blues to Haikus: An interview with Charles Henri Ford
by Shearer, Rhonda Roland and Girst, Thomas
(with video)
(Vol 1/ Issue 2, 2000)
 
 
Shooting Bullets at the Barn
by Girst, Thomas
(with video)
(Vol 1/ Issue 2, 2000)
 
 
"A very normal guy":
An Interview with Robert Barnes on Marcel Duchamp and Étant Donnés

by Girst, Thomas
(Vol 2/ Issue 4, 2002)
 
 
Duchamp and September 11
by Gould, Stephen Jay
(Vol 2/ Issue 4, 2002)
 
 
An Open Letter to Donald Kuspit
by Barowitz, Elliott
(Vol 1/ Issue 2, 2000)
 
 
A Life in Pictures Revisited
by Kennedy, Jake
(Vol 1/ Issue 2, 2000)
 
 
Leonardo’s Optics Through the Eyes of Duchamp:
A Note on the Small Glass

by Shambroom, Donald
(Vol 1/ Issue 2, 2000)
 
 
Duchamp is Global: From Philadelphia to Jerusalem
by Girst, Thomas Editor-in-Chief
(Vol 1/ Issue 3, 2000)
 
 
Orchestrating the Nude Descending
by Chen, Ya-ling
(with audio)
(Vol 1/ Issue 3, 2000)
 
 
Watching the Detectives [French]
by Tanch, Bill
(Vol 1/ Issue 3, 2000)
 
 
Rolling the "RRRR"
by Latamie, Marc
(Vol 1/ Issue 3, 2000)
 
 
3-D goes 4-D
by Macías-Ordóñez, Rogelio
(Vol 1/ Issue 3, 2000)
 
 
Duchamp as Trickster
by Gerrard, Steven B.
(Vol 1/ Issue 2, 2000)
 
 
The Stereochemistry of Boats and Chairs
by Hauser, Stephan E.
(Vol 1/ Issue 3, 2000)
 
 
The Gift of Cassandra
by Metcalf, James
(Vol 1/ Issue 2, 2000)
 
 
L'inventeur du temps gratuit [French]
by Lebel, Robert
(Vol 1/ Issue 2, 2000)
 
 
Science meets Art: This Quarter and Jacob Bronowski
by Girst, Thomas
(Vol 1/ Issue 2, 2000)
 
 
Constructing Life
by Gins, Madeline
(with video)
(Vol 1/ Issue 2, 2000)
 
 
An Impertinent Pilgrimage:
A "Meditation" on the Creation of Praying for Irreverence

by Bradshaw, Dove
(Vol 1/ Issue 2, 2000)
 
 
Jarry, Joyce, Duchamp and Cage
by Anastasi, William
(with audio)
(Vol 1/ Issue 2, 2000)
 
 
Becoming Duchamp
by Lotringer, Sylvère
(with audio)
(Vol 1/ Issue 2, 2000)
 
 
Duchamp’s Financial Documents:
Exchange as a Source of Value

by Velthuis, Olav
(with video)
(Vol 1/ Issue 2, 2000)
 
 
Sending and Receiving
by Daniels, Dieter
(translated by Grentz, Henning)
(Vol 1/ Issue 2, 2000)
 
 
Why the Hatrack is and/or is not Readymade:
With Interactive Software, Animations, and Videos for Readers to Explore

by Shearer, Rhonda Roland with Alvarez, Gregory, Slawinski, Robert, Marchi, Vittorio
and text box by Gould, Stephen Jay
(Vol 3, 2000)
 
 
Through the Large Glass (1994)
by Kegler, Richard
(Vol 1/ Issue 3, 2000)
 
 
A Friend Fondly Remembered-
Enrico Donati on Marcel Duchamp

by Whinna, Kim
(Vol 1/ Issue 3, 2000)
 
 
Marcel Duchamp: A Readymade Case for Collecting Objects
of Our Cultural Heritage along with Works of Art

by Shearer, Rhonda Roland
(Vol 1/ Issue 3, 2000)
 
 
Rarities from 1917: Facsimiles of The Blind Man No.1,
The Blind Man No.2
and Rongwrong

by (Duchamp, Marcel, Roché, Henri-Pierre and Wood, Beatrice eds.)
(Vol 1/ Issue 3, 2000)
 
 
Dreaming with Open Eyes:
The Vera, Silvia and Arturo Schwarz Collection of
Dada and Surrealist Art at the Israel Museum, Jerusalem

by Manor-Friedman, Tamar
(with video)
(Vol 1/ Issue 3, 2000)
 
 
Duchamps Horoskop [German]
by Zaunschirm, Thomas
(Vol 1/ Issue 3, 2000)
 
 
Between Gadget and Re-made:
The Revolving History of the Bicycle Wheel
[German]
by Blunck, Lars
(Vol 1/ Issue 3, 2000)
 
 
Duchamp at NASA
by Ellis, Stephen R.
(Vol 1/ Issue 3, 2000)
 
 
Marcel Duchamp in 1962
by LaPelle, Rodger
(Vol 1/ Issue 3, 2000)
 
 
A Pun Among Friends
by Gerrard, Steven B.
(Vol 1/ Issue 3, 2000)
 
 
Involuntary Muscular Action as an Untapped Energy Source:
An Invention by Leonardo da Vinci and Marcel Duchamp

by Shambroom, Donald
(Vol 1/ Issue 3, 2000)
 
 
Ready-Aid?: A Note on Philippe Duboy's
Lequeu: An Architectural Enigma

by Kennedy, Jake
(Vol 1/ Issue 3, 2000)
 
 
Psychological Analysis of Duchamp's Handwriting
by Marsell, Shirley
(Vol 1/ Issue 3, 2000)
 
 
Marcel Duchamp Chose Emmentaler Cheese (1942)
by Hauser, Stephan E.
(Vol 1/ Issue 3, 2000)
 
 
Marcel Duchamp et la littérature [French]
by Gervais, André
(Vol 1/ Issue 3, 2000)
 
 
Painting the Large Glass
by Balea, Octavian
(Vol 1/ Issue 3, 2000)
 
 
We Deserve Scheme Z and Excavation or the Law of Diminishing Returns
by Brigham, Joan
(with video)
(Vol 1/ Issue 3, 2000)
 
 
Into the Vitrine
by Zinnes, Harriet
(Vol 1/ Issue 3, 2000)
 
 
Memoirs: Art & Art History
by Barowitz, Elliott
(Vol 1/ Issue 3, 2000)
 
 
Bicycles With Elephant Memories
Stolen From Our Oasis When We Were The Most Thirsty

by Grenier, Patrick
(with video and audio)
(Vol 1/ Issue 3, 2000)
 
 
Marcel Duchamp -Étant donnés: Det Dekonstruerede Maleri (The Deconstructed Painting) [Danish]
by Høy, Pia
(Vol 1/ Issue 3, 2000)
 
 
Pata or Quantum: Duchamp and the End of Determinist Physics
by Williams, Jonathan
(Vol 1/ Issue 3, 2000)
 
 
The Art of Looking Back and the Reward of More or Less Being Seen
by Alfaro, Juan
(Vol 1/ Issue 3, 2000)
 
 
Duchamp in Sweden 1933-1970: A Critical Review
by Eriksson, Lief
(Vol 1/ Issue 3, 2000)
 
 
The Bachelors: Pawns in Duchamp's Great Game
by Bailey, Bradley
(Vol 1/ Issue 3, 2000)
 
 
The Unfindable Readymade
by Obalk, Hector
(Vol 1/ Issue 2, 2000)
 
 
"Macaroni repaired is ready for Thursday...."
Marcel Duchamp as Conservator

by Pohlad, Mark B.
(Vol 1/ Issue 3, 2000)
 
 
Duchamp Festival at California State University, Hayward
by Graham, Lanier
(Vol 1/ Issue 3, 2000)
 
 
The Substantial Ghost:
Towards a General Exegesis of Duchamp's Artful Wordplays

by Gould, Stephen Jay
(Vol 1/ Issue 2, 2000)
 
 
Drawing the Maxim from the Minim:
The Unrecognized Source of Niceron's Influence Upon Duchamp

by Gould, Stephen Jay and Shearer, Rhonda Roland
(Vol 1/ Issue 3, 2000)
 
 
Announcing the "International Online Bibliography of Dada"
by Shipe, Timothy
(Vol 1/ Issue 2, 2000)
 
 
Duchamp at the Turn of the Centuries
by Clair, Jean (Translated by Kilborne, Sarah Skinner)
(Vol 1/ Issue 3, 2000)
 
 
Delay in Delivery:
A postcard sent by Duchamp in 1933

by de Wolf, Hans
(Vol 1/ Issue 2, 2000)
 
 
Duchamp Bottles Belle Greene: Just Desserts For His Canning
by Garner, Bonnie Jean
(with text boxes by Gould, Stephen Jay)
(Vol 1/ Issue 2, 2000)
 
 
Marcel Duchamp and the End of Taste:
A Defense of Contemporary Art

by Danto, Arthur C.
(with audio and video)
(Vol 1/ Issue 3, 2000)
 
 
LE GRAND VERRE: Visite Guidée [French]
by Suquet, Jean
(Vol 1/ Issue 1, 1999)
 
 
Pour un portrait de Marcel Duchamp:
" disent les dédicaces "
[French]
by Gervais, André
(Vol 1/ Issue 1, 1999)
 
 
Why Tout-Fait?
by Girst, Thomas Editor-in-Chief
(Vol 1/ Issue 1, 1999)
 
 
Le Picadilly by Erik Satie (1866-1925)
by Chen, Ya-Ling
(Vol 1/ Issue 1, 1999)
 
 
Erratum Musical, 1913
by Chen, Ya-Ling
(Vol 1/ Issue 1, 1999)
 
 
The 1913 "Armory Show" comes ALIVE!
by Alvarez, Greg, Choi, Jung-Hee and Shearer, Rhonda Roland
(Vol 1, 1999)
 
 
"Two Minds on a Single Wavelength:"
Timothy Phillips on Salvador Dali and Marcel Duchamp

by Girst, Thomas
(with video)
(Vol 1/ Issue 1, 1999)
 
 
Marcel Duchamp’s Three Threads
by Yang, Shin-Yi
(Vol 1/ Issue 1, 1999)
 
 
Marcel Duchamp and Glass
by Shambroom, Donald
(Vol 1/ Issue 1, 1999)
 
 
"Fountain" avant la Lettre
by Gurrola, Juan José and Girst, Thomas
(Vol 1/ Issue 1, 1999)
 
 
"Faucon" or "Perroquet"?
A Note on Duchamp's Morceaux choisis d'après Courbet

by Adcock, Craig
(Vol 1/ Issue 1, 1999)
 
 
"Desperately Seeking Elsie"
Authenticating the Authenticity of L.H.O.O.Q.'s Back

by Girst, Thomas
(Vol 1/ Issue 1, 1999)
 
 
Afterthought: Ruminations on Duchamp and Walter Benjamin
by Naumann, Francis M.
(Vol -1, 1999)
 
 
Boats and Deckchairs
by Gould, Stephen Jay and Shearer, Rhonda Roland
(Vol 1/ Issue 1, 1999)
 
 
'Paris Air' or 'Holy Ampule'?
by Girst, Thomas and Shearer, Rhonda Roland
(with audio and video)
(Vol 1/ Issue 1, 1999)
 
 
Alfred Jarry and l'Accident of Duchamp
by Anastasi, William
(Vol 1/ Issue 1, 1999)
 
 
The Green Box Stripped Bare:
Marcel Duchamp's 1934 "Facsimiles" Yield Surprises

by Shearer, Rhonda Roland and Gould, Stephen Jay
(Vol 1/ Issue 1, 1999)
 
 
Hidden in Plain Sight: Duchamp's 3 Standard Stoppages,
More Truly a "Stoppage" (An Invisible Mending) Than We Ever Realized

by Shearer, Rhonda Roland and Gould, Stephen Jay
(Vol 1/ Issue 1, 1999)
 
 
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