ASRL / PERPETUAL 2013
 
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What Makes the Bicycle Wheel a Readymade?
by Ghalem, Yassine
(Vol 1/ Issue 2, 2000)
 
 
Die Bedeutung des Ready-mades für die Kunst der Gegenwart [German]
by Enßlen, Michael
(Vol 2/ Issue 4, 2002)
 
 
Jarry = Duchamp
by Herdegen, Raymond J.
(Vol 2/ Issue 4, 2002)
 
 
Duchamp and Repetition
by Zaunschirm, Thomas
(Vol 1/ Issue 2, 2000)
 
 
A Note on Linda Dalrymple Henderson's "Duchamp in Context"
(Niceron, Leonardo, Poincaré & Marcel Duchamp)
by Phillips, Timothy A.
(Vol 2/ Issue 4, 2002)
 
 
A Note on Duchamp/Saussure and the Mysterious Sign of Accordance
by Harvey, Glenn
(Vol 2/ Issue 4, 2002)
 
 
Nude Descending Again
by Hundley, Richard
(Vol 2/ Issue 4, 2002)
 
 
Rrose Selections
by Kilborne, S.S.
(Vol 2/ Issue 4, 2002)
 
 
Duchamp's Veiled Intentions Regarding Draft Pistons Gauze
by Harvey, Glenn
(Vol 1/ Issue 2, 2000)
 
 
Elena del Rivero and Marcel Duchamp: Les Amoureuses
by Girst, Thomas
(with an excerpt of an essay on the artist by Gonzales, Rita)
(Vol 2/ Issue 4, 2002)
 
 
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